Production photograph from "The Crucible." A dark-haired, light-skinned woman clutches a black cloth around herself; she seems agitated and the image is blurry. A dark-skinned man in a black jacket and tan pants and a fair-skinned, dark-haired, bearded man in a grey jacket look on and appear concerned.
Production photograph from "The Crucible." A brown-haired, light-skinned man wearing a blue jacket and tie frowns while holding a rag doll and a paper; another brown-haired, light-skinned man, also dressed in a jacket and tie, looks on.
Production photograph from "The Crucible." A dark-skinned woman in a grey service uniform points at something, while a fair-skinned young woman in a white blouse and brown jumper looks on.
Production photo from "The Crucible." A fair-skinned, dark-haired, bearded man in a tan jacket and brown coveralls speaks angrily to a blond, fair-skinned man in a black jacket.
Production photograph from "The Crucible." A young brown-skinned man in a tan jacket holds hands with a young fair-skinned, dark-haired woman in a short sleeved blouse. Both have concerned looks on their faces.
Poster for the UM School of Music, Theatre & Drama production of "The Crucible," which ran at the Arthur Miller Theatre from March 30-April 11, 2011. The poster shows a literal crucible being filled with red-orange molten metal.
Program for UM production of "The Crucible," by Arthur Miller. The production was staged at the Arthur Miller Theatre and ran from March 30-April 11, 2011. The cover shows a literal crucible being filled with red-orange molten metal. Program contains biographies of cast, creatives as well as program note, theater staff and policies, alumni news, and donor list.
This clipping from "The (London) Times", a conservative newspaper, reports on developments in the investigation of Catherine Eddowes' murder. It mentions specifically new evidence collected by the London Metropolitan Police from witnesses and the coroner's report that will be presented at inquest.
Poster for the UM School of Music, Theatre & Drama production of "The Imaginary Invalid," which ran at the Arthur Miller Theatre from March 31-April 10, 2016. The poster shows an image of a man in a blue dressing gown with a red scarf and a purple icepack on his head, holding a bottle of pills in one hand and a handkerchief in the other. The image is a parody of Henri de Toulouse-Lautrec's poster for the Ambassadeurs nightclub featuring singer Aristide Bruant. Under the title and author is the tagline "The hilarious comedy of an incorrigible hypochondriac."
Production photo from "The Imaginary Invalid." A light-skinned, brown-haired young woman in a ruffled blue dress bites the hand of a light-skinned elderly man in a red dressing gown and cap.
Production photo from "The Imaginary Invalid." A light-skinned man in a black-and-white clown costume with a ruff, a checkered jacket, and a white hat gestures expansively.
Production photograph from "The Imaginary Invalid." A group of individuals in old-fashioned bathing suits clap their hands. One of them holds a green arrow-shaped sign reading "Turn This." The sign points to another person holding a large gear with a crank attached.
Production photograph from "The Imaginary Invalid." A light-skinned young woman with red hair and a green and yellow dress looks shocked, while a light-skinned woman with blond hair and a red dress and an elderly man with a red robe and hat look on.
Production photograph from "The Imaginary Invalid." A light-skinned, brown-haired man in a checkered vest, purple jacket, and red bow tie stands rather stiffly and displays a forced-looking grin, while a brown-skinned man in a black jacket and vest and green bow tie places a hand on his shoulder and gestures.
Production photo from "The Imaginary Invalid." Three light-skinned women in fancy dresses pose while smiling. The woman on the left has brown hair, a pink dress, and a sash reading "Miss Gingivitis." The woman in the middle has dark hair, a yellow dress, and a sash reading "Miss Male-Pattern Baldness." The woman on the right has red hair, a green dress, and a sash reading "Miss Poverty."
Production photo from "The Imaginary Invalid." A brown-skinned man in a brown shirt and checkered waistcoat leans over a seated elderly light-skinned man in a white nightshirt and a red velvet cap.
Production photo from "The Imaginary Invalid." A group of individuals in early 20th-century costume lift a man in a black robe who waves a cane. In the background is a configuration of large gears. Confetti falls from above and the stage is covered in balloons.
Program for UM production of "The Imaginary Invalid," by Molière, adapted and translated by James Magruder. The production was staged at the Arthur Miller Theatre and ran from March 31-April 10, 2016. Program contains biographies of cast, creatives as well as program note, theatre staff and policies, alumni news, and donor list.
The front page of one of the earliest British tabloids, "The Illustrated Police News", reporting on Scotland Yard's lack of progress in solving the Whitechapel murders case.
This is the cover page illustration done by Arthur Rackham for the 1928 illustrated version of "The Lonesomest Doll" (1901) by Abbie Farwell Brown. It depicts doll characters from the story.
An illustration from the satirical magazine "Punch" that connects the crime of London's slums to neglect and makes vague references to the Jack the Ripper murders in the East End's Whitechapel district. It also has a caption reading, "There floats a phantom on the slum’s foul air
Shaping, to eyes which have the gift of seeing,
Into the spectre of that loathly lair.
Face it – for vain is fleeing.
Red-handed, ruthless, furtive, un-erect,
'Tis murderous crime, the nemesis of neglect."
